17/5/2016
An intersection or pause of current polyvalent rhythms and painterly gestures
"Contemplation of the image thus led Lujićeva, Majstorovićeva, Obrenović, Bojanić and Maksimović to the pictorial flow of metaphysical and gestural post-formalist and post-expressionist aesthetic objects, in which the parts carry exactly the same qualities as the whole. Their poetic writings range from refined lyricism to brutal destructive screams , which sometimes creates lumps of matter, sometimes destroys it, and with color they cancel even the slightest interest in scarcity. There is no "recipe" neither for creating nor for interpreting this kind of painting effect. It simply rests in the being of the artist himself, and the complicated world in which it takes place "coming" to the surface can provoke anything from the mental molecular world. Processuality in this kind of continuity of internal spiritual and external physical recording is often equated in quality with the final art-product itself. The titles of the works testify only to the fact that the artists draw their information from the fascinating and phantasmagoric of the world impregnate into the completeness of personal artistic identity. An older colleague, Radoslav Tadić, certainly joined this group with his works."
Prof. dr Siniša Vidaković
Art historian
