With a cycle of paintings created under the name "Nutrition of the Painting", I paint food as living and not still life. I recognized its significance in the artistic sense and served it on my own canvas. By presenting them, I want them to be visually consumed. Painting food as the motive from which I draw the visual information and use them to build my work...
Great and the diverse selection of food inspires me because of the different setting options and of unexpected scenes that I find in the meals served, which allows me unlimited researching. By abstracting my artistic records into different surface specters, rhythm and color I achieve that each of the paintings is primarily perceived and interpreted fine art. In this way, the personal painting signature is clearly seen through the recording of the basic artistic elements. As an important factor during the painting, what is directly or indirectly manifested in the course of work.
Analyzing my impulses, the process of work and the works I create, I try to see and understand my relationship to painting, the environment and myself. I am of the opinion that this search will lead me to a better understanding of the relationship between the artist and his work.
